«Deplorevoli accidenti». Il viaggio periglioso della pala di Castenedolo di Francesco Hayez all’Esposizione universale di Parigi del 1867 - Giuseppe Fusari - Vita e Pensiero - Articolo Arte Lombarda Vita e Pensiero

«Deplorevoli accidenti». Il viaggio periglioso della pala di Castenedolo di Francesco Hayez all’Esposizione universale di Parigi del 1867

digital «Deplorevoli accidenti». Il viaggio periglioso della pala di Castenedolo
di Francesco Hayez all’Esposizione universale di Parigi del 1867
Article
journal ARTE LOMBARDA
issue ARTE LOMBARDA - 2018 - 3
title «Deplorevoli accidenti». Il viaggio periglioso della pala di Castenedolo di Francesco Hayez all’Esposizione universale di Parigi del 1867
The dangerous journey of the Castenedolo altarpiece of Francesco Hayez at the Paris Universal Exhibition of 1867
Author
Publisher Vita e Pensiero
format Article | Pdf
online since 05-2019
doi 10.26350/666112_000026
issn 0004-3443 (print) | 2785-1117 (digital)
Write a comment for this product
€ 6.00

Ebook format Pdf readable on these devices:

The large canvas The Martyrdom of St. Bartholomew by Francesco Hayez was exposed in the Italian section of the Universal Exhibition in Paris in 1867. It had been painted a few years before, for the parish church of Castenedolo (Brescia, Italy) and the occasion offered it a great opportunity to be admired by the whole world. But the exhibition resulted in a nightmare. The canvas was not only seriously damaged during the journey, but while removed from the wall it was largely torn in the lower part. The parish board of Castenedolo, responsible for the painting, was highly alarmed at the news of the damage, but obtained only vague explanations from the exhibition board. The painting, back to Italy, had to be restored under the supervision of Hayez himself who brought back the canvass to Castenedolo with a handwritten document certifying the accuracy of the operation. All the documents, still in the archives of the church, report what really happened to the painting and underline the difficulties, in the second half of the nineteenth century, in organizing important art events and in moving masterpieces around Europe.

Author biography

giuseppefusari66@icloud.com